Famously, Antonioni came to Lansdowne Crescent for The Passenger in 1975, but another Italian director had been there three years previously:
The views of this street and church in The Passenger are well documented at Reel Streets:
As pointed out on Reel Streets, Lansdowne Crescent also appears in Steptoe and Son, the same year as Cosa avete fatto a Solange?:
